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available forfunctions |
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HISTORICAL MUSIC |
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Who booked us?
What did they say? What do we offer? |
to bring your event to life! | ||
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also heritage events street fairs lecture recitals |
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SOLO |
...me, and lots of instruments... | ||
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or DUO |
My wife Elizabeth now joins me, bringing her voice, her harps, and more instruments. (see Liz's Harp Page and http://www.elizabethyork.co.uk - Liz's own site[This will open as a separate window - you won't lose this place], as well) From the civilized sound of harp and recorder duets from 16th and 17th century music to more carrying medieval bagpipes and great tabor, the variety is greatly appreciated by our clients. We have played music together for over 25 years - now we're able to develop our repertoire and range of duets together. "...an afternoon of pure magic."(entry in visitors' book after we played) |
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TRIO/QUARTET |
Martin Cummins - lutes, orpharion, renaissance guitar, and Richard Leigh - violin, fidel, percussion, work with me/us for some occasions. | ||
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The V&A
Kettering Alfred East Art Gallery Calderdale Leisure (Shibden Hall) The Guild of the Freemen of the City of London Round Table/Rotary/etc. clubs Village festivals Wedding couples. Note that these are specifically entertainment bookings, as distinct from heritage interpretation/education... ain't it complicated?! |
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INSTRUMENTS
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I advertise myself as having "an unreasonably large collection of instruments." So what do I/we bring?
Depending on the needs of the occasion, I draw on the following: Bagpipes, from medieval style to Bellows-blown border pipes - six sets in all; Recorders, from sopranino to bass; Shawm, and Bass Curtal; crumhorns, cornamusen; Three holed pipes, including a Mary Rose replica; Hurdy Gurdies, one renaissance/Tudor style, one 17/18/19th century pattern; Portative organ; Wire-strung harps: a tiny medieval pattern and a gorgeous later renaissance 30-string clarsach; a "porco" or pigs snout psaltery; Various percussion - tabors, nakers, string drum, medieval cymbals, medieval bells, rommelpot, etc; (A rommelpot isn't really percussion at all, it's more a stroked membranophone, but it seemed to fit in here.) Citterns, psalteries, early dulcimer; concertinas; accordeon; hammer dulcimer; harmonium; and one or two more... |
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And Liz plays a variety of these, especially: the keyboard instruments, concertinas, hurdy gurdy, percussion, .. but she's mainly a harp player, so adds from her own collection of: small medieval gut-strung harp, 16th century-onwards Arpa Doppia, or spectacularly beautiful double strung renaissance double strung gut harp, neo-celtic lever harp, which is now the small harp of Scottish & Irish tradition, and a gothic bray harp. This amazing instrument needs to be heard to be believed. It produces a rich buzzing sound quite unlike yer average harp, but has astonishing presence and a beauty all its own; small renaissance guitar And her voice, which is really better than all my instruments put together. SO quite a lot, really. |
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